
Getting Married (1908) is one of Shaw's most radical experiments in dramatic form — a "disquisitory play" without acts or intervals, consisting entirely of a continuous debate about marriage among a group of characters gathered for a wedding. As each character presents their views on marriage, divorce, and relationships, Shaw explores every angle of the institution with characteristic wit and intelligence. The play challenges theatrical convention as much as social convention.
In Getting Married, marriage as institution provides a lens for understanding the story's core message.
In Getting Married, divorce and freedom provides a lens for understanding the story's core message.
The theme of gender roles weaves through Getting Married, adding depth to its narrative.
Getting Married thoughtfully explores social convention through its central conflicts.
Getting Married's free-form debate about marriage and relationships feels remarkably modern in an era questioning traditional partnership structures. Shaw's willingness to present multiple perspectives without forcing a resolution anticipates contemporary approaches to social discussion.
A continuous debate play where characters gathered for a wedding argue about the institution of marriage from every angle — legal, religious, practical, and emotional.
Yes, the complete play is available for free reading on TextStack.