
The authorship of Edward III has been up for debate ever since it was first published in 1596. Its publisher, Cuthbert Burby, published it without listing an author, and any records that might have shed light on the author’s name (or names) were destroyed in the Great Fire of London in 1666. In the 1760s, the acclaimed scholar Edward Capell was one of the first to claim that William Shakespeare might have been the author. Many other academicians support this claim, or at least suggest Shakespeare partially wrote it, as certain archaic or obscure words and phrases found in the canonical Shakespearean plays also appear in this one. Others argue that Shakespeare would never write something so historically inaccurate; suggestions of possible alternative playwrights include Thomas Kyd, Christopher Marlowe, Michael Drayton, Thomas Nashe, and George Peele. While the legitimate authorship may never come to light, Edward III has become accepted as part of Shakespeare’s canon of plays. After the King of France passes away, a new heir must take the throne; without any brothers or sons in the direct line, the crown falls to his nephew, King Edward of England. French nobles refuse to hand over France to the English, claiming that the right of succession should never have passed through his mother Isabel, and order Edward to acknowledge King John as the rightful successor. These disputed claims to the kingdom of France launch the Hundred Years’ War. This Standard Ebooks edition is based on G. C. Moore Smith’s 1897 edition.
War and conquest emerges as a defining element in Edward III, shaping character development.
In Edward III, honor and temptation provides a lens for understanding the story's core message.
Kingship and virtue emerges as a defining element in Edward III, shaping character development.
In Edward III, nationalism and patriotism provides a lens for understanding the story's core message.
Edward III, now widely attributed partly to Shakespeare, dramatizes English victories over France and Scotland during Edward III's reign. The play explores the temptation of the king to seduce the Countess of Salisbury and celebrates English martial triumph at Crécy and Poitiers. Its inclusion in Shakespeare's canon is relatively recent.
The play follows King Edward III's wars with Scotland and France. A significant early section depicts Edward's attempt to seduce the virtuous Countess of Salisbury, which he abandons. The latter half celebrates English victories, particularly the Black Prince's triumph at Poitiers.
Edward III was added to the Shakespeare canon in recent editions based on stylistic analysis suggesting he wrote portions, particularly the Countess scenes. The play was likely collaborative, with Shakespeare contributing to an existing work around 1592-1593.
Edward, Prince of Wales, known as the Black Prince, is Edward III's son and heir. The play shows his military education, culminating in his victory at Poitiers where he proves himself worthy of kingship through courage and mercy.
Edward III precedes chronologically the events of Richard II, showing the glorious reign before the troubles Shakespeare dramatizes in his main history cycle. Its victories contrast with the losses in the Henry VI plays.